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Using plaster, metal, wood, fabric, light and sound, the installation is divided into three layers: figures, an obstacle made of fabric and a floor made to rumble. The installation explores loss and its acceptance, the transience of life and the possibility of spiritual transcendence. Producing as much a space as a feeling, Disembodied Mind contends with tensions between the transcendental and limitations of the physical body that is bound to entropy.
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